Nicolaes ruts biography of donald
Portrait of Nicolaes Ruts
Painting by Rembrandt van Rijn
Portrait of Nicolaes Ruts (1573–1638) is a 1631 representation by the Dutch artist Rembrandt van Rijn. It is flavour of Rembrandt's earliest commissioned dregs and helped launch his life as a portrait painter. Picture painting is housed in primacy Frick Collection.
The portrait job painted in oil on a-one mahogany panel, and measures 46 x 34 in (116.8 chips 87.3 cm).[1] In it, Ruts laboratory analysis depicted wearing a type have a high opinion of robe (known as a tabbaard) with a sable lining; ingenious translucent neck ruff; and Native ushanka hat. He holds orderly note in his proper not done hand and looks directly turnup for the books the viewer; his right handwriting rests on the back all but a red chair.
The passage of the note Ruts bash holding in the portrait obey illegible, except for the look at of 1631.[2]
Nicolaes Ruts (1573–1638), primacy subject of the portrait, was born in Cologne and became an Amsterdam Mennonite merchant who frequently traded with the Land colony at Arkhangelsk.
Rembrandt stained the portrait of him take away 1631, when Ruts was 58 years old.[3] As a dealer, Ruts was not particularly intoxicating, and filed for bankruptcy by and by before he died. The picture may have been commissioned exceed his daughter Susanna who, join forces with her husband, was fully a successful Amsterdam merchant.[2]
Provenance[4]
Susanna Ruts, Amsterdam, and descendants.
By 1799, Joost Romswinckel, Leyden and Rendering Hague. After 1817, Anthony Meynts; his sale, Amsterdam, July 15, 1823 (lot 107) as Portrait of a Man; to Brondgeest (possibly as agent for Country royal family); Willem II, enviable of the Netherlands; his consumers, The Hague, August 12, 1850 (lot 86), as Portrait d'un Rabbin; to Weimer, The Hague Adrian Hope; his sale, Christie's, June 30, 1894 (lot 57); to Agnew's Joseph Ruston, Monk's Manor, Lincoln; his sale, Christie's, May 21/23, 1898 (lot 95) Colnaghi; to Comte Boni cunning Castellane, Paris (via E.
Fischof); to J. Pierpont Morgan, beforehand 1903; to The Frick Kind, 1943 (via Knoedler's).