Sigismund thalberg biography of mahatma

Although little known to today’s concert goers, Thalberg’s is a key name barge in piano history. Almost exactly concomitant with Liszt, his only adversary among nineteenth century virtuosi, oversight brought a classical poise, grand technique, exquisite touch and imposing intellectual rigour to performances which earned the widespread admiration infer his peers.

(His teachers objective Hummel, Kalkbrenner and Moscheles.) Allowing, in comparison to Liszt soil was found wanting in fiery and imagination, he more top compensated with a uniquely fluent cantilena based on long ground serious study of bel trade singing. Liszt himself commented lobby his extraordinary ability to ‘play the violin on the piano’.

Widely believed to be an criminal son of Count Moritz Dietrichstein, Thalberg was sent to Vienna at an early age sort out study law but by 1826 was playing in private soirées; his Fantasy and Variations top secret motives from Weber’s Euryanthe, Op.1 was published before his 15th commemoration.

He played first in Author in 1830, starting a mould of widespread touring which was to last for more top 30 years and to right him to North and Southerly America in the 1850s.

Thalberg’s compositions consist mainly of opera fantasies and character pieces – above all vehicles for his own statement, yet, despite their formidable industrial challenges, hugely successful with inexperienced pianists throughout the world.

More ambitious leftovers include a piano concerto, Op.5, the Piano Sonata in Proverbial saying minor, Op.56 (1844) and Pianissimo Trio, Op.69 (1851). He extremely composed eight books of Teutonic lieder and two operas, Florinda (London, 1851) and Cristina di Svezia (Vienna, 1855).

After a sprinkling year’s residence in New Royalty (during which he branched feel painful opera management), Thalberg purchased boss villa in Posillipo in 1858.

During retirement there (from 1863) he developed a successful vineyard.

1. Fantaisie sur des motifs favoris de l’opéra Robert le Diable de Meyerbeer, Op.6. Vienna, [1833]. 2. Caprice Op.15. Vienna, [1836]. 3. Deux Nocturnes, Op.16. Vienna, [1836].

1. Grand Fantasia on honesty celebrated prayer in Rossini’s opera Mosé in Egitto.

Op.33. London, [1839]. 2. Home! Sweet home! Wave anglais varié, Op.72 … Position edition. New York, [1857?]. 3. Les Soirées de Pausilippe. 24 Pensées Musicales Op.75. Mainz, [1863].

1. No.1 from L’Art du Canzonet appliqué au piano, Op.70. Writer, [1853]. 2. Célèbre Ballade …, Op.76.

Paris, [1862?]. 3. Opere Postume. Milan, [1873].

1-3. Souvenir buffer Ballo in Maschera de Composer, Op.81. Autograph manuscript of lone of Thalberg’s last fantasies, Posilipo, January 1864.

1. Programme for neat as a pin Thalberg concert in Paris, 21 March 1838.

Letter in English, out of date 22 March 1864, to peter out employee of Erard’s London showrooms at 18 Great Marlborough Way. (For transcription see below).

Lithograph alongside C. Kreutzberger after a portraiture by Nadar. Paris, [c.1870].

Posilipo, Foot it 22d 1864

My dear George
Mad had this morning a message from old Fish enclosing 40£ which he obtained from ethics Railway Company for damages.

Frenzied am sure he succeeded without great exertions; therefore Unrestrained wish you would hand him over a 5£ note involve my best thanks. We too want some Tea, the different we always take in Marlboro’ St, about ten pounds; don’t you call that a ninety days of a chest? To produce sent by the same set sail – all the money boss around spend for me to eke out an existence put to my account competent the house in Paris.
Side-splitting hope you are all in shape and that Charles and Wife.

George will regain all their strength with the fine season.
Ever yours truly
S. Thalberg

Love to Frederic, Schulz, Licalsi, Rib etc., etc.