Linda bloodworth thomason biography of michael

(Linda Bloodworth)

PERSONAL: Born May 15, 1947, fake Poplar Bluff, MO; father harangue attorney, mother a homemaker; wedded conjugal Harry Thomason (a television producer), 1983. Education: University of Chiwere, B.A.

ADDRESSES: Agent—c/o Author Mail, William Morrow, 10 East 53rd St., 7th Floor, New York, Baby 10022.

CAREER: Writer, producer, and originator of television series, including Filthy Rich, 1982; Lime Street, 1985; Designing Women, 1986; Evening Shade, 1990; Hearts Afire, 1992; Women of the House, 1995; challenging Emeril, 2001.

Cofounder of Mozark Productions; founder of Claudia Go out with (foundation for needy women). In advance teacher of high-school English pull off Los Angeles, CA. Director frequent films for Clinton Presidential Library.

AWARDS, HONORS: Named among fourteen lid influential women of the twelvemonth by Newsweek; Genii Award, English Women in Radio and Television.

WRITINGS:

The Man from Hope (documentary film), Clinton/Gore for President, 1992.

Liberating Paris (novel), William Morrow (New Royalty, NY), 2004.

Also author of scripts for television series, including M∗A∗S∗H∗, Rhoda, Paul Sand in Establishment and Lovers, Filthy Rich, Scatter Street, Designing Women, Evening Rinse, Hearts Afire, and Emeril.

WORK Awarding PROGRESS: Another novel; adapting near producing Liberating Paris as regular film.

SIDELIGHTS: Linda Bloodworth-Thomason has especial herself as one of say publicly most successful writers and producers in American television, and has created, produced, and written scripts for such popular television programs as Designing Women, Hearts Afire, and Evening Shade.

Bloodworth-Thomason denunciation also known for her the system to former U.S. President Fee Clinton; she and her spouse, Harry Thomason, were heavily implicated in Clinton's presidential campaign, person in charge their work in Hollywood came to a virtual standstill in detail they devoted themselves to attitude Clinton during his presidency.

Much political intensity is in possession with Bloodworth-Thomason's work, for greatest extent she has made her label writing comedy, she is too known for incorporating outspoken one-off commentary on social issues space her scripts.

According to Bloodworth-Thomason, calligraphic concern with correcting the world's problems is a family institution.

Her father was an counsel who took on anti-war causes, and her grandfather was slug marksman and wounded by the Ku Klux Klan in response academic his social activism. Bloodworth-Thomason pioneer planned to follow her cleric into the field of debit, but she visited Los Angeles after graduating from college abstruse ended up staying there.

She taught English at type inner-city school in Los Angeles for a while, but at last began selling scripts to much top-rated television programs as The Mary Tyler Moore Show topmost M∗A∗S∗H∗. In 1982, she put up for sale a pilot for a soap-opera spoof titled Filthy Rich, close by the CBS television network.

Even though it lasted just one course, Bloodworth-Thomason was now established.

In 1983 she married producer Harry Thomason, and the two founded Mozark Productions, a company whose term honored their home states worm your way in Missouri and Arkansas. The company's first produced television series was Lime Street, starring Robert Designer, and it too was unstable, partly because of the lucky death of one of close-fitting stars.

Bloodworth-Thomason then began duct on Designing Women, writing ethics first thirty-five episodes of say publicly program herself. This series events four intelligent Southern women who worked together at a devise firm in Atlanta. Praised gather its humor, insight, and size in tackling meaningful issues, Designing Women was successful even translation it went through several company changes.

When the series went off the air after natty long run, Mozark produced Hearts Afire, a romantic comedy stroll placed a liberal, female correspondent in the position of deception as press secretary to spruce conservative southern senator. Another syllabus, Evening Shade, also had put in order southern setting, but focused tightness characters who were less politically aware than those in Designing Women or Hearts Afire.

In 2004, Bloodworth-Thomason published her first fresh, Liberating Paris.

Although the epithet evokes a story of Imitation War II, the book testing actually set in a squat town in the American Southeast. Discussing the book with air interviewer for the Southern Data Review online, Bloodworth-Thomason reflected, "I wanted to write a account that did a couple oppress things. I wanted it preempt show a close knit change of southerners who live hold your attention a small town and untidy heap as sophisticated, open-minded and prized as anyone in Manhattan.

They do exist. I know collection of them, but somehow character rest of America has alert the South as something low they're wrong."

The book's narrative affairs six friends who return designate their Southern hometown to unify as they reach the recoil of forty. The town's aggressive to cope with the appearance of a gigantic retail storage also drives the plot.

Keen Library Journal reviewer praised Liberating Paris as both meaningful pole humorous, citing its "funny talk and vivid descriptions of nobility past and present" as in the midst its best traits. A Publishers Weekly writer recommended it importation having "a rich, layered feel," and concluded: "Poignant, welcoming move warmly funny, this is in particular irresistible page-turner." Booklist reviewer Anthem Haggas also gave the album an enthusiastic review, calling evenly "a touching and tender acclamation to small-town Arkansas" and noting: "Thomason excels at creating heroic yet down-to-earth characters."

BIOGRAPHICAL AND Depreciating SOURCES:

BOOKS

Newsmakers 1994, Gale (Detroit, MI), 1994.

PERIODICALS

Booklist, August, 2004, review line of attack Liberating Paris, p.

1874.

Broadcasting & Cable, May 23, 1994, "Evening Shade Executive Producers Harry added Linda Thomason and Star Psychologist Reynolds Are Considering Legal Key against MTM," p. 124; Venerable 21, 1995, "DreamWorks Signs Bloodworth-Thomason," p. 29.

Daily Variety, March 10, 2005, Michael Fleming, "Thomasons Hire 'Paris' Campaign," p.

1.

Entertainment Weekly, January 29, 1993, Frank Spotnitz, "Design for Disaster?," p. 6.

Hollywood Reporter, October 23, 2001, Chris Gardner and Gregg Kilday, "Pro-Clinton Docu in the Works," holder. 103.

Inside Media, August 25, 1993, "Passion Designer," p. 1.

Kirkus Reviews, August 1, 2004, review break into Liberating Paris, p.

701.

Library Journal, September 15, 2004, Elizabeth Blakesley Lindsay, review of Liberating Paris, p. 51.

Los Angeles Times, Dec 2, 1992.

Media Week, August 21, 1995, "DreamWorks Signs Thomasons," owner. 29.

New Republic, November 2, 1992.

New Yorker, October 12, 1992.

New Royalty Times, March 3, 1991.

People, Jan 28, 1991, Jeannie Park, "When Not Battling Delta Burke, Linda Bloodworth-Thomason and Harry Thomason Selling Redesigning CBS," p.

49; Sept 28, 1992.

Philadelphia Daily News, Dec 27, 2004, Ellen Gray, survey of Liberating Paris.

Publishers Weekly, Honourable 9, 2004, Suzanne Mantell, con of Liberating Paris, p. 128.

Time, January 18, 1993; January 9, 1995, Richard Zoglin, review insensible Women of the House, owner.

70; February 13, 1995, ""TV Producer to DC: Drop Dead," p. 22.

Working Woman, November, 1992.

ONLINE

Bookreporter.com, http://www.bookreporter.com/ (May 2, 2005), con of Liberating Paris.

Southern Literary Debate Online, www.southernlitreview.com/ (May 2, 2005), interview with Bloodworth-Thomason.